DIALOGUE

Aliona GRATI, Adrian-Silvan IONESCU Something about engaged art, about militant art: relics, landmarks, ephemeridae?

 

INTERTEXT

Iulian BOLDEA Petru Cimpoeşu’s prose. Limited liability fiction

Tatiana CIOCOI “Serotonin” of Michel Houellebecq: a novel of the “capitalist hell”

Valentin ARAPU Reflection of the plague and its zoomorphic symbols in historical sources and literary writings

 

ACENTRICS STUDIES

Tudor STAVILĂ A brief history of the Fine Arts in Bessarabia in the 20th century

Flori BĂLĂNESCU The relationship of writers with Power in Romania in 1977

 

THE SOCIAL LIANT

Silviu ANDRIEȘ-TABAC Heraldic art. Theoretical aspects

Elena UNGUREANU A phenomenon of digital culture: the internet-memes

Teodor HAŞEGAN The Salon of mobilized artists, Iasi – Chisinau, January 1918

 

MY CITY

Mariana ȘLAPAC The Parliament’s building of the Republic of Moldova

Eugen STRĂUȚIU Art and society in modern Sibiu

 

CULTURAL JEWELS

Doinel TRONARU CIRCO[stanze]

 

IMAGINARY OF THE LETTER

Ion HADÂRCĂ The sonnet written directly on the mask; Naked sun, of Epiphany; Spacings; The differences of everything; Establishment; I’m staying home; Roll; In this star-letter; The scar in the shadow; Symmetrical anxiety

 

THE OTHER’S WORD (journals inquiry)

Mihaela PERCIUN Why is today an ideas sold, not just people?

 

THE LAMPSHADE FOR A LIBRARY

V. Xenofontov, Encyclopedia of curiosities, Vol. II; C. Ungureanu, A secret history of Romanian literature, Vol. III; W. Egginton, Cervantes, the man who invented fiction; A. E. Hotchner, Hemingway’s loves narrated by himself and recorded by A. E. Hotchner; M. Perciun, Satisfaction; D. Foenkinos, To Beauty