DIALOGUE

Aliona GRATI, Constantin I. CIOBANU Art and Religion: forms of relationship

 

INTERTEXT

Ludmila ŞIMANSCHI Faith and human powerlessness in the face of tragedies, parabolically shaped in the novels Three hours in hell by Antonie Plămădeală and Apopcalipsis by Adrian G. Romila

Lidia Carmen PIRCĂ Religious dimensions of Octavian Goga’s lyric

Marina MIRON, Viorel MIRON Vision of bulgarian poets from Bessarabia on the role of the village and traditional housing in the protection of identity and faith

 

ACENTRICS STUDIES

Andrei PROHIN “When Adam delved and Eve span…” The first humans’ labour in the medieval imaginary world

Natalia PROCOP Moldovan plastic artists in the field of textile art schooled in Lvov National Academy of Arts

Ludmila COJOCARU Tradition within the historical contexts of liminality. The wedding of deporties in documents and the oral history witnesses (II)

Liliana CONDRATICOVA, Marina CERCAȘIN The wedding ceremony: indispensable cultured and secular accessories

 

THE SOCIAL LIANT

Andrei OISTRIC The retrospective review theological education of Moldova

Ion XENOFONTOV Japca Monastery – a history of spiritual resistance

Rodica GOTCA Religion in cyberspace

 

MY CITY

Aliona GRATI Royal ceremonies at the Cathedral

Alla CHASTINA The grave of the son of the leader of the Serbian people in Chisinau: the history of a modest monument of the first half of the XIX century and the participation of the Royal Academy of Sciences of Serbia in its preservation

 

CULTURAL JEWELS

Ana GOBJILĂ The sacred painting of Robu Eudochia

 

IMAGINARY OF THE LETTER

Maxim MELINTI About spiritual blindness, Your life as a fig tree, If I could fly, Look, I am a weak man, Looking for service

 

THE OTHER’S WORD (journals inquiry)

Leo BORDEIANU Poetry as a form of prayer

 

THE LAMPSHADE FOR A LIBRARY

M. Brihuneț The orthodox cemeteries from the Republic of Moldova;

N. Procop, V. Negru, L. Sîrbu, M. Cercașin The Clothing terminology. Romanian-English illustrated dictionary;

D. Postolache The reflexive diagonals. From A to Z;

T. Ichim The representative figures of the lyrics Bessarabian’s at the Opera Theaters in Cluj and Bucharest from the period interwar